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Author Topic: Analogman's King of Tone  (Read 909 times)
jms
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« on: December 30, 2007, 10:40:56 AM »

Well I just finished my review up for the KoT pedal just in time to learn about the controversy over it.

This will be an interesting story to follow but I am afraid overall the end results are going to be bad for both Analogman and the DIY community.

Oh well, I am having a blast with this pedal though. 
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playon
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« Reply #1 on: January 01, 2008, 05:06:17 PM »

It was a good, very detailed review and excellent comparison to the tubescreamer.  I have owned V2 (4 knobs) of this pedal for 3 years now and I find it indespensible and  real problem solver when needing to play at less than optimum volume.  I reviewed the pedal at HC shortly after I got it, and since that time my appreciation of it has only increased. It's not just a blues pedal, although it does work great for that.  I use it for country, rock n roll, etc. 

I had an original vintage TS808 but sold it soon after A/Bing it with the KOT.  BTW, if you want more of the TS sound you can easily swap out the chips in the KOT.  In fact if I owned a two-channel V4 pedal like yours, I would try a different chip in one side just to have the tonal variation.  Your comments about the midrange being less pokey that the TS are true, however I have no trouble cutting through the mix with the KOT, just set it a little louder  Grin -- you will cut thru fine, but it will be more of your guitar's tone unaltered.  If I can take only one pedal to a gig, or if I am forced to use someone else's amp, I bring the KOT. 

But otherwise I do need a thicker, more distorted pedal to do the crunchier stuff, the KOT isn't a do-everything pedal and as you noted, it doesn't claim to be.  I use a BJF Honey Bee for crunchier sounds and a treble booster in front of everything if I need more balls. 

I just really appreciate that the sound of my expensive guitars remains intact when I step on the KOT.
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